New Kingdom Egypt, 18th Dynasty, c. 1479-1458 BC · object · Egypt

Sphinx of Hatshepsut

Granite royal sphinx of an 18th-Dynasty pharaoh of the Exodus era

Sphinx of Hatshepsut
Metropolitan Museum of Art / Wikimedia Commons (CC0) · source

The Sphinx of Hatshepsut is a colossal royal sphinx carved from red granite, reassembled from numerous fragments excavated by Metropolitan Museum of Art expeditions at Hatshepsut's mortuary temple complex at Deir el-Bahari, Thebes, during the 1920s and 1930s. It dates to the reign of Hatshepsut (c. 1479–1458 BC), the prominent female ruler of Egypt's 18th Dynasty who governed as pharaoh during the New Kingdom's early Thutmoside period. The sculpture presents Hatshepsut in canonical male pharaonic form: wearing the nemes headdress, a false beard, and the uraeus, embodying the full ideological package of divine kingship regardless of the ruler's biological sex. Several such sphinxes originally lined the processional way of her Deir el-Bahari temple; many were deliberately defaced in antiquity, likely during the later reign of Thutmose III, and subsequently buried. The sphinx carries no direct biblical reference. Its relevance to Scripture is contextual rather than evidentiary. The 18th Dynasty falls within the broad chronological window in which many scholars situate the Exodus narrative, though debate between a 15th-century BC date (associated with 1 Kings 6:1's 480-year figure) and a 13th-century BC date (linked to Ramesses II's building projects) remains unresolved. The artifact illustrates the scale and ideology of Egyptian royal power that forms the backdrop of the Exodus account in general terms. Popular claims speculatively identifying Hatshepsut as the princess who rescued Moses (Exodus 2:5–10) rest on no textual or archaeological corroboration and are not accepted in mainstream scholarship. Sources: Metropolitan Museum of Art (accession no. 31.3.166); W. C. Hayes, *The Scepter of Egypt*, Vol. II (1959); James P. Allen, *The Art of Medicine in Ancient Egypt* (MMA, 2005); E. Naville, *The Temple of Deir el Bahari* (Egypt Exploration Fund, 1894–1908).

Why this matters

The Sphinx of Hatshepsut offers a vivid material witness to the ideological and monumental apparatus of New Kingdom pharaonic power, the broader political and cultural world within which the biblical Exodus narrative is historically situated. While it attests nothing specific to any biblical event or figure, it concretely illustrates the kind of royal authority that Exodus portrays Moses and Aaron confronting.

Location
Metropolitan Museum of Art, New York (from Deir el-Bahari, Thebes)