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← THE SCRIPTORIUM

Byzantine Art Project

150 artworks from the great traditions of Byzantine and Eastern Christian iconography, each paired with a doctrinal reflection. The corpus surfaces GLM's confessional shape case by case as the iconography requires it — read what the picture argues.

150
ARTWORKS
10
COLLECTIONS
17
FLAGSHIPS
1,250+
YEARS
3 of 150Architecture →
COLLECTION:
ERA:
REGION:
MEDIUM:
Rebecca at the WellOT Typology

Rebecca at the Well

c. 6th century (early Byzantine luxury manuscript on purple-dyed parchment with silver-ink uncials; one of the oldest surviving illuminated biblical codices)· Austrian National Library
Photographic reproduction in the public domain (Wikimedia Commons; from the Yorck Project's *10,000 Masterworks of Painting*; faithful reproduction of a 6th-century manuscript folio). The underlying Vienna Genesis (Codex Vindobonensis Theol. gr. 31) is in the public domain.
Jacob Blessing Ephraim and ManassehOT Typology

Jacob Blessing Ephraim and Manasseh

c. 500–550 (early Byzantine luxury manuscript on purple-dyed parchment with silver-ink uncials)· Austrian National Library
Photographic reproduction in the public domain (Wikimedia Commons; faithful reproduction of a 6th-century manuscript folio). The underlying Vienna Genesis is in the public domain.
Joseph and Potiphar's WifeOT Typology

Joseph and Potiphar's Wife

Late 6th century (Vienna Genesis / Codex Vindobonensis Theol. gr. 31; likely Antioch workshop; purple-vellum manuscript tradition)· Austrian National Library
Photographic reproduction in the public domain (Wikimedia Commons; The Yorck Project). The underlying late-6th-century manuscript page (Austrian National Library) is in the public domain.

150 artworks, photographs sourced primarily from Wikimedia Commons with eight from museum open-access programs (Met CC0, Walters PD/CC BY-SA, British Museum CC BY 2.5, Dumbarton Oaks CC0). Originals are public domain by age; photographs carry the licenses noted on each artwork. Click any card for full credit, license, and a link back to the source.

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