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← THE SCRIPTORIUM

Byzantine Art Project

150 artworks from the great traditions of Byzantine and Eastern Christian iconography, each paired with a doctrinal reflection. The corpus surfaces GLM's confessional shape case by case as the iconography requires it — read what the picture argues.

150
ARTWORKS
10
COLLECTIONS
17
FLAGSHIPS
1,250+
YEARS
12 of 150Architecture →
COLLECTION:
ERA:
REGION:
MEDIUM:
The Angel with Golden Hair (Archangel Gabriel)Angels

The Angel with Golden Hair (Archangel Gabriel)

c. 1150–1200 (Old Russian, Novgorod school; one of Russia's oldest surviving icons; gold-leaf-stripped hair gives the icon its name)· State Russian Museum
Google Art Project / Wikimedia Commons. The underlying late-12th-century Novgorod-school icon at the Russian Museum is in the public domain.
The Archangel MichaelAngels

The Archangel Michael

c. 1300–1350 (Palaiologan-era Constantinopolitan workshop; iconographic tradition linked to the Chora Monastery wall-paintings)· Byzantine and Christian Museum
Photograph by George E. Koronaios (2019). Wikimedia Commons. Released under Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0). The underlying c. early-14th-century icon at the Byzantine and Christian Museum, Athens (BXM 1353) is in the public domain.
Synaxis of the Archangel Michael and the Other Bodiless PowersAngels

Synaxis of the Archangel Michael and the Other Bodiless Powers

1704 (post-Byzantine Russian iconographic tradition; signed and dated by Kirill Ulanov, a leading icon-master of the Armory Chamber school)· Andrey Rublev Museum of Ancient Russian Culture and Art (Andronikov Monastery)
Wikimedia Commons. Public Domain (CC0). The underlying 1704 icon by Kirill Ulanov at the Andrey Rublev Museum (Acc. КП 204) is in the public domain.
The Holy Apostles Peter and PaulApostles

The Holy Apostles Peter and Paul

c. 1190–1210 (one of the earliest surviving Old Russian panel icons; Novgorod-school iconographic vocabulary in early-Russian-Christianity context, c. 200 years after Vladimir's 988 conversion)· State Russian Museum
Photographic reproduction in the public domain (Wikimedia Commons; faithful reproduction of a c. 1200 icon scanned from Sarabyanov and Smirnova, *Russian Icon Painting*, 2007). The underlying icon is in the public domain.
The Saviour Not Made by Hands (Spas Nerukotvorny)Iconoclasm Debate

The Saviour Not Made by Hands (Spas Nerukotvorny)

c. 1150–1200 (Old Russian, Novgorod school; the earliest surviving Russian Mandylion-tradition icon; reverse side depicts the Adoration of the Cross)· State Tretyakov Gallery
Google Art Project / Wikimedia Commons. The underlying late-12th-century Novgorod-school icon at the Tretyakov Gallery is in the public domain. Photographic reproduction in the public domain (CC0 / structured-data convention).
Four-Festival Icon (Annunciation, Nativity, Baptism, Transfiguration)Life of Christ

Four-Festival Icon (Annunciation, Nativity, Baptism, Transfiguration)

c. 1310–1320 (early Palaiologan; Thessaloniki workshop; the icon was discovered at the Coptic monastery of St Mary Deipara, Egypt — a Byzantine-Coptic transmission via maritime contact; entered the British Museum 1852)· British Museum
Photograph released under Creative Commons Attribution 2.5 Generic. The underlying c. 1310–1320 Byzantine icon at the British Museum (BM 1852.1-02.1) is in the public domain.
Saints Boris and GlebSaints

Saints Boris and Gleb

c. 1340–1370 (Old Russian iconography; commemorating the 1015 martyrdom of Vladimir's princely sons)· State Russian Museum (Государственный Русский музей)
Google Art Project / Wikimedia Commons. The underlying mid-14th-century icon at the State Russian Museum is in the public domain. Photographic reproduction released under CC0/PD; structured metadata under CC BY-SA 4.0.
Saint Anastasia of SirmiumSaints

Saint Anastasia of Sirmium

c. 1370–1400 (late Palaiologan; tempera on wood, 99 × 66 cm; previously in the Russky Archeological Institute in Constantinople)· State Hermitage Museum
Wikimedia Commons. Faithful photographic reproduction of a late-14th-century icon at the Hermitage. The underlying icon is in the public domain.
Saints Constantine and Helena with the True CrossSaints

Saints Constantine and Helena with the True Cross

c. 1500–1700 (post-Byzantine icon type rendering the iconographic tradition of Emperor Constantine the Great and his mother Helena flanking the True Cross)· Byzantine and Christian Museum
Wikimedia Commons. Faithful photographic reproduction of a post-Byzantine icon at the Byzantine and Christian Museum, Athens. The underlying icon is in the public domain.
The Anastasis (Resurrection)Second Coming

The Anastasis (Resurrection)

c. 1480–1500 (Novgorod school; Old Russian iconographic flowering)· State Russian Museum (Государственный Русский музей)
Photograph by Sailko (2011). Wikimedia Commons. Released under Creative Commons Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0) and GNU Free Documentation License 1.2+. The underlying late 15th-century Novgorod-school icon at the State Russian Museum is in the public domain.
Theotokos AgiosoritissaTheotokos

Theotokos Agiosoritissa

11th–12th century (donated by Holy Roman Emperor Frederick I Barbarossa to Spoleto in 1185 after the city's submission)· Cappella della Santissima Icona
Photograph by Wolfgang Sauber (2017). Wikimedia Commons. Released under Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0). The underlying 11th–12th-century icon at Spoleto Cathedral is in the public domain.
The Nicopeia (Theotokos Nikopoios — Virgin Bringer of Victory)Theotokos

The Nicopeia (Theotokos Nikopoios — Virgin Bringer of Victory)

c. 1100–1120 (Komnenian-era Constantinople workshop; the icon was the imperial palladium of Byzantine Constantinople until the Fourth Crusade in 1204)· Basilica di San Marco
Wikimedia Commons (faithful photographic reproduction). Released under Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0). The underlying c. 1100–1120 Komnenian-era icon is in the public domain.

150 artworks, photographs sourced primarily from Wikimedia Commons with eight from museum open-access programs (Met CC0, Walters PD/CC BY-SA, British Museum CC BY 2.5, Dumbarton Oaks CC0). Originals are public domain by age; photographs carry the licenses noted on each artwork. Click any card for full credit, license, and a link back to the source.

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