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← THE SCRIPTORIUM

Byzantine Art Project

150 artworks from the great traditions of Byzantine and Eastern Christian iconography, each paired with a doctrinal reflection. The corpus surfaces GLM's confessional shape case by case as the iconography requires it — read what the picture argues.

150
ARTWORKS
10
COLLECTIONS
17
FLAGSHIPS
1,250+
YEARS
17 of 150Architecture →
COLLECTION:
ERA:
REGION:
MEDIUM:
SITE / MUSEUM:
Archangels Gabriel and MichaelAngels

Archangels Gabriel and Michael

c. 867 (with the apse Theotokos program)· Hagia Sophia
Photo by Dennis G. Jarvis / archer10 (2013). Wikimedia Commons. Released under Creative Commons Attribution-ShareAlike 2.0 Generic (CC BY-SA 2.0). The underlying 9th-century mosaics are in the public domain.
Saint PeterApostles

Saint Peter

Mid-6th century (c. 550–600)· Saint Catherine's Monastery
Photographic reproduction in the public domain (Wikimedia Commons; photographed by Michel Bakni). The underlying mid-6th-century encaustic icon (92.8 × 53 cm) is in the public domain.
Virgin Enthroned with Saints Theodore and GeorgeIconoclasm Debate

Virgin Enthroned with Saints Theodore and George

c. 600 (late 6th / early 7th century)· Saint Catherine's Monastery
Photographic reproduction in the public domain (Wikimedia Commons; faithful reproduction of a two-dimensional public domain work). Underlying late-6th-century encaustic icon (Saint Catherine's Monastery, Sinai) is in the public domain.
The Iconoclastic CrossIconoclasm Debate

The Iconoclastic Cross

c. 740s (post-740 earthquake reconstruction under Constantine V)· Hagia Eirene (Saint Irene)
Photo by Dick Osseman / Dosseman (2016). Wikimedia Commons. Released under Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0). The underlying 8th-century mosaic is in the public domain.
Patriarch Nikephoros and the IconoclastIconoclasm Debate

Patriarch Nikephoros and the Iconoclast

c. 850s (mid-9th century, post-843 iconodule polemical illumination program; Khludov Psalter is the most-studied surviving 9th-century iconodule manuscript)· State Historical Museum
Photographic reproduction in the public domain (Wikimedia Commons; faithful reproduction of a 9th-century manuscript folio published before 1931). The underlying Khludov Psalter (State Historical Museum, Moscow, MS D.129) is in the public domain.
Crucifixion with IconoclastsIconoclasm Debate

Crucifixion with Iconoclasts

c. 850–875 (mid-9th c., shortly after the Triumph of Orthodoxy in 843)· State Historical Museum
Photographic reproduction in the public domain (Wikimedia Commons; scanned 2021). The underlying mid-9th-century manuscript folio (19.5 × 15 cm; State Historical Museum, Moscow, MS D.129) is in the public domain.
The Holy Mandylion (Image of Edessa)Iconoclasm Debate

The Holy Mandylion (Image of Edessa)

Image: c. 10th–13th century (Byzantine, exact dating contested); Frame: late 14th century, Palaiologan silver-gilt with ten embossed scenes of the Edessa legend. Donated 1362 by Emperor John V Palaiologos to Doge Leonardo Montaldo of Genoa; bequeathed 1388 to San Bartolomeo degli Armeni· Church of San Bartolomeo degli Armeni
Photograph by Postcrosser (2018). Wikimedia Commons. Released under Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0). The underlying Byzantine Mandylion icon and 14th-century frame are in the public domain.
The Second Council of NicaeaIconoclasm Debate

The Second Council of Nicaea

c. 985 (Menologion compiled under Emperor Basil II in Constantinople; the council it depicts was held in 787)· Vatican Apostolic Library
Photographic reproduction in the public domain (Wikimedia Commons; faithful reproduction of a two-dimensional public domain work). The underlying late-10th-century manuscript illumination (Vatican Apostolic Library, Vat. gr. 1613) is in the public domain.
The Argument about Icons (Empress Theodora and the Iconoclasts)Iconoclasm Debate

The Argument about Icons (Empress Theodora and the Iconoclasts)

c. 1150–1175 (illuminated copy of John Skylitzes's Synopsis of Histories; produced in Norman Sicily, possibly at the multilingual Palermo court of Roger II / William I; 574 marginal illuminations across 233 folios)· Biblioteca Nacional de España
Public domain photographic reproduction (Wikimedia Commons; faithful reproduction of a 12th-century manuscript published before 1931). The underlying Madrid Skylitzes (Biblioteca Nacional de España, MS Vitr. 26-2) is in the public domain.
The Saviour Not Made by Hands (Spas Nerukotvorny)Iconoclasm Debate

The Saviour Not Made by Hands (Spas Nerukotvorny)

c. 1150–1200 (Old Russian, Novgorod school; the earliest surviving Russian Mandylion-tradition icon; reverse side depicts the Adoration of the Cross)· State Tretyakov Gallery
Google Art Project / Wikimedia Commons. The underlying late-12th-century Novgorod-school icon at the Tretyakov Gallery is in the public domain. Photographic reproduction in the public domain (CC0 / structured-data convention).
Emperor Leo V and the Monk of DagisteasIconoclasm Debate

Emperor Leo V and the Monk of Dagisteas

c. 1150–1175 (illuminated copy of John Skylitzes's Synopsis of Histories; production in Norman Sicily)· Biblioteca Nacional de España
Public domain photographic reproduction (Wikimedia Commons; faithful reproduction of a 12th-century manuscript published before 1931). The underlying Madrid Skylitzes is in the public domain.
Theodore the Studite and Stephen the YoungerIconoclasm Debate

Theodore the Studite and Stephen the Younger

c. 1321 (Gračanica fresco program; commissioned by Serbian King Stefan Milutin)· Gračanica Monastery
Photograph by BLAGO Fund, Inc. (2021). Wikimedia Commons. Released under Creative Commons Attribution 4.0 International (CC BY 4.0). The underlying c. 1321 fresco at Gračanica Monastery is in the public domain.
The Triumph of OrthodoxyIconoclasm Debate

The Triumph of Orthodoxy

c. 1375–1425 (commemorating the Council of Constantinople, 11 March 843)· British Museum
Photographic reproduction in the public domain (Wikimedia Commons; faithful reproduction of a two-dimensional public domain work). Underlying late-14th-century / early-15th-century icon (37.8 × 31.4 cm; British Museum, 1988,0411.1) is in the public domain.
Saint John of DamascusIconoclasm Debate

Saint John of Damascus

17th century (Emmanouel Tzanes, 1610–1690; Cretan school continuation of Byzantine tradition)· Cretan school / Emmanouel Tzanes workshop (icon-type entry)
Photographic reproduction in the public domain (Wikimedia Commons; faithful reproduction of a 17th-century icon by Emmanouel Tzanes). The underlying icon is in the public domain.
Christ PantocratorPantocrator

Christ Pantocrator

Mid-6th century (c. 550)· Saint Catherine's Monastery
Photographic reproduction in the public domain (Wikimedia Commons, file: Spas_vsederzhitel_sinay.jpg). The underlying 6th-century encaustic icon is in the public domain by age. Per Wikimedia policy, faithful 2D reproductions of public-domain works are themselves public domain.
Saints Sergius and BacchusSaints

Saints Sergius and Bacchus

6th–7th century· Bohdan and Varvara Khanenko National Museum of Arts
Photographic reproduction in the public domain (Wikimedia Commons, photographed by user Shakko, 2008). The underlying 6th–7th-century encaustic icon is in the public domain.
Theotokos of the ApseTheotokos

Theotokos of the Apse

867 (inaugurated 29 March)· Hagia Sophia
Photo by Dick Osseman (Dosseman, 2019). Wikimedia Commons. Released under Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0). The underlying 9th-century mosaic is in the public domain.

150 artworks, photographs sourced primarily from Wikimedia Commons with eight from museum open-access programs (Met CC0, Walters PD/CC BY-SA, British Museum CC BY 2.5, Dumbarton Oaks CC0). Originals are public domain by age; photographs carry the licenses noted on each artwork. Click any card for full credit, license, and a link back to the source.

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