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← THE SCRIPTORIUM

Byzantine Art Project

150 artworks from the great traditions of Byzantine and Eastern Christian iconography, each paired with a doctrinal reflection. The corpus surfaces GLM's confessional shape case by case as the iconography requires it — read what the picture argues.

150
ARTWORKS
10
COLLECTIONS
17
FLAGSHIPS
1,250+
YEARS
20 of 150Architecture →
COLLECTION:
ERA:
REGION:
MEDIUM:
SITE / MUSEUM:
Archangel Michael Relief PanelAngels

Archangel Michael Relief Panel

11th century (Middle Byzantine; Constantinopolitan ivory carving at the medium's peak craftsmanship period)· Bode-Museum
Photograph by Daderot (2014). Wikimedia Commons. Released under Creative Commons CC0 1.0 Universal Public Domain Dedication. The underlying 11th-century Byzantine ivory relief at the Bode-Museum is in the public domain.
Two-Sided Pendant with the Archangel Michael and Daniel in the Lions' DenAngels

Two-Sided Pendant with the Archangel Michael and Daniel in the Lions' Den

c. 1200 or later (Constantinople workshop; small portable devotional pendant)· Metropolitan Museum of Art
Photograph: The Metropolitan Museum of Art, New York. Open Access (Public Domain / CC0). The underlying c. 1200+ serpentine pendant is in the public domain. Credit line: Gift of Mrs. Hayford Peirce, 1987.
Medallion with Saint Matthew from an Icon FrameApostles

Medallion with Saint Matthew from an Icon Frame

c. 1100 (Middle Byzantine; one of nine surviving medallions from a group of twelve that originally surrounded an Archangel Gabriel icon, possibly sent as a Byzantine diplomatic gift to neighboring Christian Georgia)· Metropolitan Museum of Art
Photograph: The Metropolitan Museum of Art, New York. Open Access (Public Domain / CC0). The underlying c. 1100 Byzantine cloisonné medallion is in the public domain. Credit line: Fletcher Fund, 1917.
The Apostle PeterApostles

The Apostle Peter

13th century (Byzantine, post-Schism, pre-Palaeologan)· Dumbarton Oaks Museum
Photographic reproduction in the public domain (Wikimedia Commons; faithful reproduction of a two-dimensional public domain work). The underlying 13th-century Byzantine icon (93 × 61.3 cm; Dumbarton Oaks Museum, Washington D.C.) is in the public domain.
The Argument about Icons (Empress Theodora and the Iconoclasts)Iconoclasm Debate

The Argument about Icons (Empress Theodora and the Iconoclasts)

c. 1150–1175 (illuminated copy of John Skylitzes's Synopsis of Histories; produced in Norman Sicily, possibly at the multilingual Palermo court of Roger II / William I; 574 marginal illuminations across 233 folios)· Biblioteca Nacional de España
Public domain photographic reproduction (Wikimedia Commons; faithful reproduction of a 12th-century manuscript published before 1931). The underlying Madrid Skylitzes (Biblioteca Nacional de España, MS Vitr. 26-2) is in the public domain.
Emperor Leo V and the Monk of DagisteasIconoclasm Debate

Emperor Leo V and the Monk of Dagisteas

c. 1150–1175 (illuminated copy of John Skylitzes's Synopsis of Histories; production in Norman Sicily)· Biblioteca Nacional de España
Public domain photographic reproduction (Wikimedia Commons; faithful reproduction of a 12th-century manuscript published before 1931). The underlying Madrid Skylitzes is in the public domain.
The Triumph of OrthodoxyIconoclasm Debate

The Triumph of Orthodoxy

c. 1375–1425 (commemorating the Council of Constantinople, 11 March 843)· British Museum
Photographic reproduction in the public domain (Wikimedia Commons; faithful reproduction of a two-dimensional public domain work). Underlying late-14th-century / early-15th-century icon (37.8 × 31.4 cm; British Museum, 1988,0411.1) is in the public domain.
Four-Festival Icon (Annunciation, Nativity, Baptism, Transfiguration)Life of Christ

Four-Festival Icon (Annunciation, Nativity, Baptism, Transfiguration)

c. 1310–1320 (early Palaiologan; Thessaloniki workshop; the icon was discovered at the Coptic monastery of St Mary Deipara, Egypt — a Byzantine-Coptic transmission via maritime contact; entered the British Museum 1852)· British Museum
Photograph released under Creative Commons Attribution 2.5 Generic. The underlying c. 1310–1320 Byzantine icon at the British Museum (BM 1852.1-02.1) is in the public domain.
The Agony in the GardenLife of Christ

The Agony in the Garden

1678 (Armenian Era 1127; copied in Constantinople by the priest Yakob Pēligratc'i)· Walters Art Museum
Photographic reproduction in the public domain (Wikimedia Commons; Walters Art Museum). Released under Creative Commons CC0 1.0 Universal Public Domain Dedication. The underlying 1678 Armenian hymnal page is in the public domain.
Jacob Blessing Ephraim and ManassehOT Typology

Jacob Blessing Ephraim and Manasseh

c. 500–550 (early Byzantine luxury manuscript on purple-dyed parchment with silver-ink uncials)· Austrian National Library
Photographic reproduction in the public domain (Wikimedia Commons; faithful reproduction of a 6th-century manuscript folio). The underlying Vienna Genesis is in the public domain.
Rebecca at the WellOT Typology

Rebecca at the Well

c. 6th century (early Byzantine luxury manuscript on purple-dyed parchment with silver-ink uncials; one of the oldest surviving illuminated biblical codices)· Austrian National Library
Photographic reproduction in the public domain (Wikimedia Commons; from the Yorck Project's *10,000 Masterworks of Painting*; faithful reproduction of a 6th-century manuscript folio). The underlying Vienna Genesis (Codex Vindobonensis Theol. gr. 31) is in the public domain.
Joseph and Potiphar's WifeOT Typology

Joseph and Potiphar's Wife

Late 6th century (Vienna Genesis / Codex Vindobonensis Theol. gr. 31; likely Antioch workshop; purple-vellum manuscript tradition)· Austrian National Library
Photographic reproduction in the public domain (Wikimedia Commons; The Yorck Project). The underlying late-6th-century manuscript page (Austrian National Library) is in the public domain.
David Composing the PsalmsOT Typology

David Composing the Psalms

c. 960 (Macedonian Renaissance, Constantinople workshop; one of the most famous Byzantine illuminated manuscripts)· Bibliothèque nationale de France
Photographic reproduction in the public domain (Wikimedia Commons; faithful reproduction of a 10th-century manuscript). The underlying Paris Psalter (BnF MS gr. 139) is in the public domain.
Christ and Saint Menas (the Bawit Icon)Saints

Christ and Saint Menas (the Bawit Icon)

c. 6th–8th century (early Byzantine / Coptic; one of the oldest surviving Christian panel icons; recovered from the Apa Apollo Monastery at Bawit, Middle Egypt, by Jean Clédat's 1900–1903 excavations)· Musée du Louvre
Photograph: Musée du Louvre, Paris (Acc. E 11565). Wikimedia Commons. The underlying c. 6th–8th-century Coptic panel icon is in the public domain. Photographic reproduction in the public domain (CC0 / structured-data convention).
The Forty Martyrs of SebasteSaints

The Forty Martyrs of Sebaste

10th century (martyrdom event AD 320)· Museum of Byzantine Art (Bode Museum)
Photo by Anagoria (2013). Wikimedia Commons. Dual-licensed under GFDL 1.2+ and CC BY 3.0. The underlying 10th-century ivory plaque is in the public domain.
Saint PanteleimonSaints

Saint Panteleimon

11th century (Middle Byzantine; small steatite relief plaque worn on the chest or used to decorate larger icon frames)· Walters Art Museum
Walters Art Museum, Baltimore (Acc. 41.227). Released under Creative Commons Attribution-ShareAlike 3.0 (CC BY-SA 3.0) per the Walters' 2012 mass-release. The underlying 11th-century steatite is in the public domain.
Saint GeorgeSaints

Saint George

c. 1250· British Museum
Photo by Marie-Lan Nguyen (2012). Wikimedia Commons. Released under Creative Commons Attribution 2.5 Generic (CC BY 2.5). The underlying 13th-century icon is in the public domain. Held by the British Museum, London (accession 1984.0601.1).
The HetoimasiaSecond Coming

The Hetoimasia

c. 400 (Constantinople workshop; one of the oldest surviving Hetoimasia-type sculptures)· Museum für Byzantinische Kunst
Photograph by Anagoria (2013). Wikimedia Commons. Released under Creative Commons Attribution 3.0 Unported (CC BY 3.0). The underlying c. 400 Byzantine marble relief is in the public domain.
Triptych Icon of the Virgin and Child with SaintsTheotokos

Triptych Icon of the Virgin and Child with Saints

c. 10th century (Middle Byzantine; portable devotional triptych in carved ivory; Macedonian-Renaissance period workshop)· Walters Art Museum
Walters Art Museum, Baltimore (Acc. 71.158). Released under Creative Commons Attribution-ShareAlike 3.0 (CC BY-SA 3.0) per the Walters' 2012 mass-release of collection imagery to Wikimedia Commons. The underlying 10th-century ivory is in the public domain.
The Dormition of the TheotokosTheotokos

The Dormition of the Theotokos

Late 10th century (Macedonian Renaissance, Constantinople workshop)· Metropolitan Museum of Art
Photographic reproduction in the public domain (Wikimedia Commons; Metropolitan Museum of Art Open Access). Released under Creative Commons CC0 1.0 Universal Public Domain Dedication. The underlying late-10th-century Byzantine ivory plaque (18.6 × 14.8 cm) is in the public domain.

150 artworks, photographs sourced primarily from Wikimedia Commons with eight from museum open-access programs (Met CC0, Walters PD/CC BY-SA, British Museum CC BY 2.5, Dumbarton Oaks CC0). Originals are public domain by age; photographs carry the licenses noted on each artwork. Click any card for full credit, license, and a link back to the source.

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